My practice understands painting as an embodied and ritualized process in which perception, bodily awareness, movement, and material transformation continuously interact. Rather than starting from predetermined images or fixed compositions, the work emerges through fluctuating psychological, sensory, and environmental conditions experienced in real time.
A performative dialogue with composer BONAMASA that engages all five senses — and what lies between them — between Japan and Spain. Live music, painting, scent, and tea, reinterpreting two cultures without losing the essence of either.
音 · 光 · 香 · 味 · 触 — Sound · Light · Scent · Taste · Touch
Enter the project →Rather than treating painting as the construction of fixed images, Hasegawa approaches the surface as a temporary field of negotiation between body, cognition, environment, and material behavior.
Working with acrylic, ink, resin, flowers, burned organic matter, calligraphy brushes, and childhood crayons, his work operates between painting, performance, and perceptual inquiry.
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